How to Move to New York to Be An Actor and Bomb Spectacularly
How to Move to New York to Be An Actor and Bomb Spectacularly
-Decide to move on a whim, with very little advance planning other than, "I'm moving to New York next month" and buying a plane ticket.
-Don't write down your career goals or how you'd like to accomplish them.
-Definitely don't make a reel of your work *before* you go, when you're not stressed out with trying to survive.
-Move to a theatre town when you've booked more on camera work than theatre.
-Change apartments. A lot. Like, once a month to once every six months.
-Get a job that kills your creativity and takes advantage of your Midwestern work ethic and sense of duty.
-Spend every evening in your apartment, not networking or finding out who you want to work with and getting to know them.
-Make ambitious plans to do mailings to CDs and agents in town. Only mail ten packets out of a list of 100.
-For that matter, neglect researching which casting directors work on projects that are within your type as an actor and just randomly mail headshots and reels to whoever has an address in the Ross Reports.
-Spend money you don't have on things that don't matter.
-Justify your junk food intake as an antidote to your stress level.
-Never exercise. Even when you get free yoga classes at one of the best studios in town for just four to five hours of work a week.
-Don't follow up on connections that will help you get a foothold in the local market.
-Do background work, thinking it will add some oomph to your resume, rather than just supplying income.
-Get an apartment in an expensive part of town, then use that as an excuse to dedicate yourself to your day job and not your creative work because, "I have to pay rent!"
-Refuse to pay to see theatre.
-Refuse to pay to go to the movies.
-Refuse to pay for acting classes because "You've done that already."
-Refuse to pay for new headshots.
-Make half-baked, nebulous plans to take a class, go to a casting director seminar, "work on your craft," "audition more," etc.
-Allow your daily stressors to overwhelm your goals, and justify that lapse as, "I'm just so *tired*!"
-Read The Actor's Voice religiously. Apply none of the advice to your life.
-Tell people, "I'm taking a break," when you're really just too lazy to be bothered to look up auditions, attend theatre, put together mailings, or put yourself out there.
-Most importantly of all, give up gradually, not making a firm decision to leave the biz behind, not because you don't want to do it anymore, but because it's "too hard."
It was two years to the day (yesterday, Nov. 27) that I arrived here in New York, hopeful, daring, crazy. I think this is a fitting post for that anniversary.
New York has been good for me. I can't say it's always been good to me, but I've learned a lot. I'm much more tolerant of apartment living, having less personal space, and "Things That Annoy Me" in general. I've realized what I can tolerate and what I can't. I can say, "I HATE this place" in one hour, and the next I'll say, "I LOVE this place." I've made this place my home.
Nevertheless, dear reader, if you want to be an actor, you have to do the work. I didn't. I'm not angry with myself about that. I've made a firm decision to step away from the biz. I enjoy it, but I don't want it to run my life anymore. I don't want "actor" to be my job title right now. I can always return, though. The world of entertainment will always be there, and there's no age restriction.
I'm off to Korea to be a teacher for a while. You can read about the whole "moving to Korea" process at my new blog, long tall sallie, modern-day explorer. I'll be posting there regularly, Monday through Friday, about the process of moving to a foreign country, learning a new language, and any helpful travel tips I discover or invent.
Thanks for reading.
Labels: photos, so hard to say goodbye, the biz